My two painting that didn’t make the cut into Archway Gallery’s juried exhibition opening tonight in Houston. Almost three hundred pieces were submitted and forty made it in. These two are is each 11″ x 14″. Graphite underdrawing and watercolor on Arches 140lb. cold press. My first entry in a juried show since 1962. Yes, 1962. I was a child; taking adult painting classes. My teacher, Mrs. Keen, encouraged me to submit a pastel still life. I got a ribbon. What kind I don’t recall.
These are inspired by my walks on White Oak Bayou about a mile from my home. The pile of tires is, or was, under Interstate 10 on the White Oak Trail. I was inspired by the shadows and light, and intrigued by the subject matter. The pedestrian bridge is very close by on the same trail. The smell of the creosote railroad pilings evokes some childhood memory, and I thought would be challenging to paint. Last year some graffiti artist spray painted three cute umbrella on the metal supports.
I’ve always admired the art of, and particularly this painting done in 1516, by Albrecht Dürer from the National Gallery in D.C. Particularly when I read this description of the painting from the Gallery’s voluminous volume of selected works, and Dürer’s ability to:
“lay open the fine net-work of the heart and brain of man”…”to make us see deep into the soul until we understand, for example, the character of this ugly, resolute individual, whose personality, flashing out through luminous and asymmetrical eyes, exerts a powerful spell. His is the face of the Reformation”.
So I thought I would make my own attempt to capture him.
A drawing of a friend of mine, done on brown-toned paper, using soft graphite and white charcoal. She was sun-silhouetted from across a room and I rushed over to her to for a photograph, thinking it would make a good subject for a painting or drawing. A year later I gave it a shot, and after several false attempts on a white sheet, decided to initiate the new tinted drawing pad I’d just bought. Very happy with the result.