Portrait of a Clergyman

Portrait of a ClergymanI’ve always admired the art of, and particularly this painting done in 1516, by Albrecht Dürer  from the National Gallery in D.C. Particularly when I read this description of the painting from the Gallery’s voluminous volume of selected works, and Dürer’s ability to:

“lay open the fine net-work of the heart and brain of man”…”to make us see deep into the soul until we understand, for example, the character of this ugly, resolute individual, whose personality, flashing out through luminous and asymmetrical eyes, exerts a powerful spell. His is the face of the Reformation”.

So I thought I would make my own attempt to capture him.

New watercolor

s_home

This is the final studio watercolor, along with my working sketch of a commissioned work, one of my more challenging. Final size about 18 by 13 inches. There was a lot going on with this home. I took many reference photos from different angles and spent quite a bit of time consolidating and compressing the placement of the many prominent items in the yard as to get them all in the image in a pleasing way without overly compromising their actual placement in the landscaping. I’m a bit reluctant to say that this work took many months to complete. Fortunately, the homeowner was very accommodating and understanding. It just so happened that about the time I was commissioned, my graphic design business really took off. But I should also admit that I intermittently suffered from the “crisis of confidence” that I suppose every creative person goes through. In my experience, the only way out is to go through it.

A Path in the Redwoods

Watercolor of Redwood trees

This is the first of several watercolors I painted recently for a benefit art show and sale. A few years ago, my wife and I took our first trip to California. We visited one of the parks and were very moved by the majestic trees. Inspired, I took out my trusty, cork-covered sketchbook and pen on the flight home and created the drawing that became the painting.

Pen and ink sketch of redwood trees

It took me quite a while get the look that I envisioned. I wanted to portray dappled sunlight, and I did a whole bunch of preparatory exercises. I was particularly challenged by the reddish path and the tree trunks. Once I took a deep breath and laid down that first wet-in-wet wash, I have to say I was less than satisfied. Exasperated, I quickly blotted out the still damp wash and let it dry. Having spent many hours practicing and still not achieving the results that I wanted, I was very frustrated. What worked was that the second time around I went at it with a devil-may-care fury. I realized that I was being too deliberate and tight with my brushwork and once I loosened up, the results were beyond my expectations.